moviix is an independent production house crafting commercials, music videos, brand films and AI-assisted cinema — for the labels, agencies and founders who'd rather hire one studio than wrangle a dozen vendors. One roster. One suite. One standard.
A small, opinionated team that writes, shoots and cuts in-house. Same directors, same colourists, same edit suite — whether it's a 30-second spot or a 90-minute feature.
Broadcast spots, brand anthems, founder films. From the agency brief or straight from your in-house team — we shoot, cut and deliver to spec.
For labels and independents. A roster of directors who treat the song like a script. We do the deck, the location scout and the cut.
Long-form non-fiction, branded doc series, one-off portraits. Field-tested crews, archival research, original score.
Festival shorts and our own slate of independent features. Open to producer partnerships and co-productions.
Six filmmakers we represent and produce. Reps welcome — pitch any one of them for the job, or let us recommend the right hand for the script.
Slow cinema, long lenses, longer silences. Anders shoots on 35mm whenever the budget lets him — and quietly when it doesn't.
Neon, rain, regret. Kira specialises in synth-soaked sci-fi spots and noir-coded thrillers. Built her name in Tokyo car commercials.
Genre-bender. Comedy with teeth, horror with jokes. Edits like a caffeinated raccoon. Refuses to use a tripod and is usually right.
Documentary instinct, narrative spine. Vitérite interviews, archival cuts, voice-overs that actually land. Two-time IDFA nominee.
Spectacle engineer. Set-piece architect. Give him a stunt budget and he'll come back with a trilogy. Apprenticed under second-unit veterans.
Romance, melodrama, the small kind of heartbreak. Beauty & fashion campaigns by day, a feature she's still writing by night.
A short list from the last 18 months. Spots, music videos, brand films and one festival short — same crew, same suite, same standard.
Brands and producers we've made work for — from one-off campaigns to multi-year retainers. Some you'll know; some you'll wish you did.
“moviix delivered the campaign in six weeks with the same crew on every cut. We hired five vendors the year before and got half the work.”
Six stages, one production lead, one shared file. No mystery vendors, no per-deliverable change orders. The same people on the call as on set.
Twelve years, three hundred films, one phone number. If you've got something to shoot, we'd like to hear about it.